Despite a bit of a break, I’m still plugging away on Catcher. The next section wanders into some depressing territory that’s a bit hard to convey on-screen. There’s a lot of wandering around, indecision, memories, etc., which is a big point of the book and illustrates Holden’s state of mind, but translating this to the screen can be a challenge.
When I left off with Act II, Part II, Holden had just had the uncomfortable encounter with the young prostitute, Sunny. He sent her away without having sex with her but paid her the $5 her pimp, Maurice, said was the price of “a throw.” I really don’t like that terminology. Quite icky.
Continue reading Catcher In The Rye, Act II, Part III
When J.D. Salinger died earlier this year, I felt ambivalent, despite the fact that I’d nearly worshiped him in high school as one of the only writers out there who “got” what it was like to be a smart and disillusioned teen. Somewhere along the line, I either stopped being a smart, disillusioned teen or realized that everyone believed themselves to be smart and disillusioned and so rejected it in favor of some other modus operandi.
Along the way, I also found out more about J.D. Salinger – his reclusive lifestyle, refusal to publish more novels, his dabbling in everything from Dianetics, homeopathy and macrobiotics to urine therapy – and I found it a big turn-off. In 1999, I read Joyce Maynard’s memoir At Home In The World, which painted a picture of a pathetic old man with high ideals cloistered away in a compound. This was not my hero. This was a mere mortal who was as confused about life as the rest of us.
Continue reading The Big If… “The Catcher In The Rye” Screenplay